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My Beloved Dead

Artist journal page created by Connla Freyjason for an Artist Journaling group in which he was formerly very active. The theme for that day? Lies he has told…..Features elements from the January Gathering: Winter Time (available by clicking this image) by Duncan.

It’s that time of year again: the time of year when even the Muggles don’t have troubles talking about the Beloved Dead and actively seeking them out.  Halloween (Samhain) has been my favorite time of year since I was a child because it is the one and only time of the year where I, Michelle Iacona, get to “put my crazy on the front porch”, as they say down South.  It’s the one and only time of the year when people like me, who can do what I do, are even semi-accepted by the Muggles. It’s the one and only time of the year when I feel like I can be completely myself.  The rest of the year, I have, for most of my life, been forced to live inside the shell of a firestorm of lies, and so have my Beloved Dead. You see, I bring most of mine with me, everywhere I go.

For the past twenty-four years, I have literally given over my life to being a shamanic trans-medium.  When you say the word medium to most people, it either conjures images of some wizened old gypsy-woman, sitting in a trance in a very controlled environment, while the dead speak through her in her voice, or of some young, hip whipper-snapper who is constantly spot-on, but defines mediumship simply as relaying the messages of the dead to the seeker(s) (ala Hollywood Medium).  Neither of those is what I do.  I’m not that kind of medium.  There is very little that is “controlled” about my environment–sure, we have wards on our house, and I have wards on my person, and I have a few in my “ranks” who actively act as guardian or warrior figures; that’s pretty much where any of the normal definitions of “controlled environment” begin and end.  I can literally “switch off” with any of the members of my “ranks” at the drop of a hat, and with some of them, most Muggles would have zero clue that “Mishy has left the building”.  I patently do not “channel on cue”; I don’t “take requests”; I’m not a deejay.  What I do is not a “parlour trick”, nor is it a service I perform for the living.  No, this is a service I perform strictly for the Dead. And these Dead have, over the past twenty-four years, become Beloved.

I’ve often been asked by those who actually understand what I do–such people are few and far between–precisely why I do it.  I give up a lot of my time to do this; I have literally risked my lifemy livelihood, and my relationships with other living people to do this.  It would be so much easier simply to be the priestess, the Druid, the writer, than to do this.  In fact, because I do this, I actually have very little time for all of those other things that I can do, and do well.  So why would anyone choose this life?  Because I love them.  I love them with a love that is completely selfless, and very few people ever get to know love like that, much less express it themselves.

I certainly don’t do it because of what the Dead might teach me.  Trust me, I’ve been “at this” long enough to know that just because they’re dead, doesn’t mean they’re smart! Contrary to apparent popular belief, death is not the sort of spiritual awakening most people seem to think it is.  Does it clue you in, often quite suddenly, to what’s really going on in the Universe? Sure.  It’s definitely a crash course in cosmology, not unlike being thrown into the deep end of the largest swimming pool imaginable.  Most of the Dead I know and have met have been shocked by that, most of them to the point that they honestly need therapy: someone who can actively listen to what they’ve just experienced, and then help them make some sense of it.  In fact, the “cosmic newsflash from the Great Beyond” that is that sudden dip in the “cosmological pool” is often so overwhelming that the Dead actually need a break from it.  Luckily, I’m here, to give them that break.

Which works out nicely, because given my disability, I could also really use a break from my own body.  Lots of people have psoriasis and/or psoriatic arthritis, and live with it every day.  Very few people have psoriasis and/or psoriatic arthritis on the level that I have it.  That’s not just my opinion: that is the very informed official diagnosis of the former head of Pediatric Dermatology at the University of North Carolina at Chapel Hill (UNC).  If you are not actively living in my skin–as my Dead do–you cannot fully understand what I live with, on a day-to-day basis.  Imagine your own body attacking you.  Pretend your skin breaks open and secretes acid whenever it takes a notion to do so, while at the same time your bones are eating themselves and erroding.  That is what I experience every day.  So, yeah, I need a break.  Thankfully, my Dead love me back with that same selfless love, and are willing to step in and give it to me.

It’s rare that I get to use the personal pronoun “I”; most of the time, you will hear me refer to myself with what my Dead and some of my dearest live friends, relatives, and lovers have jokingly come to refer to as “the royal we”.  That’s because the instant I stepped foot on this path, my life ceased to be merely about me.  Suzanne jokingly referred to me today as the MDTA–Mass Dead Transit Authority–and she’s not wrong!  My life has become the paragon of that famous quote from Star Trek II: The Wrath of KhanThe needs of the many outweigh the needs of the few, or the one.  Wherever I go, whatever I do, the Dead are not far behind. What happens in my life reverberates in their afterlives, and vice versa, when they are here on the physical plane, “riding” me, or “horsing” me, or however you want to describe them inhabiting my flesh and blood person.  I have a responsibility to my Dead, and my Dead also have a responsibility to me.  We keep each other safe; we work to better each other’s welfare.  If you ever needed a real definition of what a symbiotic relationship actually is, take a look at our life, and you will find it.

Experiencing life (and death) in this way has taught me lessons in loyalty that most people never get to learn. The quickest way to end up on my shit list is to hurt or offend one of my Dead.  I have both ended relationships with the living and had relationships ended for me by the living due to my ardent defense of my Dead.  The Celtic Value of Loyalty informs everything I do in my life, and everything my Dead do in their afterlives, in relation to me, and this has been the case for twenty-four years between myself and Connla, twenty-two years between myself and Taliesin, and soon-to-be twenty years between myself and Michael.  “Newcomers” (whom we lovingly refer to as “Newlydeads”) quickly learn the value of loyalty within the scope of this relationship, too.  In the end, I don’t care if one of my Dead has been with me for two years or twenty:  they’re already dead, they’ve been through enough; hurt or offend them at your own peril. I will become the protective mother (think: Kali-ma), when it comes to them, and that is a side of me nobody wants to see! They reciprocate that loyalty: hurt or offend me, their “vessel” or “conduit” (and also, more importantly, their new family), and be prepared for a reaction equal to someone defending their child, spouse, or mother from an arsonist.  

These lessons in loyalty that I have learned in relationship to my Beloved Dead have often made it very hard for me to socialize with the living.  In fact, for the most part, up until four years ago, I had reached a point where, apart from a very few live people, I honestly preferred the company of the Dead.  The Dead don’t tend to stab you in the back as often as the living.  Perhaps that’s because they can more clearly see all they stand to lose by doing so.  The Dead don’t take a look at this particular situation and decide “oh, wait, I don’t believe in that”, or “I don’t believe in you”, or “I don’t believe this is actually happening”.  The Dead don’t point their fingers at me and call me a devil worshipper or a fake.  No, they are quite aware of what they are experiencing and what we are going through.  The Dead don’t demand “prove its”.  Live people tend to do all of that and more.

Which is why, when we moved North four years ago, and suddenly found ourselves in a whole new world (cue that song from Disney’s Aladdin), surrounded by people who actually understand what I can do, and what we are doing, we still didn’t tell those people what’s actually “going on” here.  We finally found ourselves in a position where we were meeting people who we honestly wanted to keep in our lives, which is rare for all of us, myself included.  We’ve lost more people than I care to count over the past twenty-four years because we were honest: because we told them what was “going on”, and they either:

  1. Decided they needed a “prove it” (in other words, they wanted us to treat our lives like some damnable dog and pony show and somehow prove to them that this is actually “real” or authentic)
  2. Decided they could dictate to me and my Dead who is in-body when (I’ve actually had at least one person turn to me, sitting here, spending time with them, as a friend, in my own body, and ask “when is Michael coming back, because I miss him, and really want to spend time with him instead”)  
  3. Stated they “believed in” all of this, until such time as said “belief” became somehow inconvenient to them  (this one most often happens when the person in question has definite pre-conceived notions about precisely what kind of personality the specific Dead person involved ought to have, according to them.  I often wonder what would happen in the world if we treated living people that way?  It’s because of this one that every singly one of my Dead now introduce themselves under their taken names, and to most people never reveal their actual given name–and, therefore, their true identity–from birth and in life.)
  4. Challenged me and my Dead to a face-off over afterlife cosmology, based on their own personal gnosis as a living person who has never actually been dead (Yeah, this one happens often, yet it never ceases to boggle my mind and theirs.  I mean, if you’ve only read books and seen movies about Iceland, for example, you wouldn’t try to tell a native of Iceland that either a) Iceland doesn’t exist, b) is nothing like what they say it’s like, or c) that they are the tourist, and you’re the aficionado, would you? This is genuinely the exact same thing! Yet it happens to us. Regularly.)
  5. Refused to obey our rules. (Look: our rules are simple, and really the same as in any other friendship with any other live person.  Things told in confidence should remain in confidence. If you wouldn’t go around spouting to everyone within shouting distance a secret told to you by a live friend, then why the hell would you feel motivated to betray the confidences of the Dead?  If you treat other live people with respect, not expecting them to jump through hoops or otherwise “perform”, why the hell would you do that to the Dead?)

It is still terrifying, every single time we “come out of the coffin” to someone we care about.  It’s one thing, to be “out and proud”, here on this blog, where we’re speaking largely to strangers who we hope will become customers who we hope might become friends.  It is another thing entirely to be face-to-face with someone you’ve come to know and love and worked hard to build relationship with and have to finally say “oh, by the way, all of the time that we’ve been growing attached to each other? Yeah, some of that time it was one of my Dead, not me, and they really care about you a lot, so please, don’t be one more person that we lose because of this….”   

Inevitably, in the sorts of circles in which we now travel, there will be those people who will ask “but I, myself, am psychically aware, so how is it that I couldn’t tell this is what’s happening, if this is really what’s happening”?  My response to those people is two-fold.  First, if you have actually spent time around me, and then around Connla, Taliesin, or especially Michael, how could you not tell the difference between me and them? I am a girly girl with a fairly strong Southern accent (especially if you are hearing me for the first time and are not from the South), who enjoys dripping with jewelry and wearing long, flow-y skirts, and generally “being a chick”, versus Connla, who speaks with a deep voice (although he has, admittedly, and much to his chagrin, picked up a Southern lilt courtesy of living in the South for twenty years), dresses in a very masculine style, and saunters everywhere he goes like some action hero who just got kicked out of the comic books? Or Michael, who is obviously Australian.  Second, after a decade or so of scaring the holy bejeesus out of small children who can most definitely see who is in here, whether they want to or not, my Dead have grown very skilled at cloaking themselves from “prying eyes”, willing or otherwise.  The first hundred or so times that you have to turn to the parent of a suddenly-screaming child and say “I don’t know what I did to frighten your child, but I’m really sorry” teaches you to keep your guard up, and never let it down.  Those first few hundred times when a kid calls the person in-body out as a dude, in an otherwise apparently female physical form, in the middle of Walmart also quickly puts the kibosh on not putting up a protective shield, lemme tell ya! Finally, and perhaps a bit too simplistically, my response to such people would be: “They’re people inhabiting a person.  Do your psychic bells and whistles always go off, every time you’re around people inhabiting people?  If so, that has got to suck for you!”

Most live people fear the Dead, and fear Death even more.  I feel profoundly blessed that I no longer do.  The Dead are just people.  If you aren’t afraid of other live people, you shouldn’t fear them, either.  Sure, over the years, I have had encounters with the angry dead, too.  I don’t enjoy the company of live angry people–they, quite frankly, scare me–so it’s pretty natural to feel the same way when it comes to dead angry people.  My solution, when it comes to them, is simple: they aren’t invited to “hang out”.  Most people feel a certain sadness when it comes to speaking of the Dead, or dealing with Death.  I’m not a stranger to grief, even though I know in my heart of hearts that it’s not like we “can’t keep in touch”.  I’ve seen what the Dead themselves go through upon crossing over–how they miss their living friends, relatives, spouses, children the same way those living friends, relatives, spouses, children no doubt miss them.  The Dead grieve the living, the same way we grieve the Dead.  And that is painful to know and to watch.  If I can afford them a momentary happiness, by letting them briefly “live” again, in the midst of all of that, I am honored to do so.   But they are absolutely not allowed to ever make contact with those living friends, relatives, spouses, children, because I understand, and they have to come to understand, that the pain of such encounters would be debilitating for both parties involved.  Why? Because of “prove it“.  Because this is not the “Mishy Dead On Demand Network”.  Because pre-conceived notions define belief in existence too often when it comes to this.  Because the absolutely unavoidable debate on cosmology that is destined to ensue will do more to build sadness and anger than it will to quell it.  Because, quite simply, these are our rules

Long before Samhain became a time for me to honor the Beloved Dead, Halloween was a time when this little Southern girl could actually whip out the Ouija board and the Tarot cards and dress the way she wanted to, without anybody threatening to burn her at the stake (which actually happened to me in high school: a group of boys decided that because I was actively doing spellwork for my friends and reading Tarot that I should burn for that, and they meant it.  While they never actually went through with attempting to carry out their threats, that did not make them any less real, nor any less terrifying).  Over the past twenty-four years, Halloween also became a time when I could “let my Dead out in public”:  they could actually go to the “redneck bar” dressed and behaving as themselves, without fearing any sort of backlash apart from “wow, Michelle always has the coolest and most authentic costumes! She even acts the part!”  

As an ordained Druid and medium, however, Samhain has brought a much larger view of this time of year into my life.  It is the Celtic New Year: a time when we let go of the old, and welcome in the new.  It is also, obviously, the time when we Pagans pause to actively honor our Beloved Dead.  Three-thousand-words-into this blog post (and thank you for sticking with me this far), that is why I am writing here today, rather than Connla or Frances or Taliesin or Tobias, or any of the others of my “possee”.  I am here, writing this, because I am sick and tired of having to live behind a veil of lies, and so are they.  Being forced to live our lives that way does not honor my Beloved Dead; it lessens them.  So this is my “New Year’s Resolution”, of sorts:

Believe whatever you choose to believe; my Dead and I will continue to know what we know.

This is who we are.  This is who I am, and what I can do.  I love and honor my Dead, for I know that my Dead love and honor me.  And for all of you out there who have loved and honored us in the same way:

Thank you.  We also love and honor you.




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But What If You Started With The Paper?

Background paper: Equine Elegance Page Kit; clockwork brad: Clockwork Entomology; journal block: January Gathering: Winter Wonder: Winterfell; vine and feather: January Gathering: Winter Wonder: A Winter’s Tale

Something magical has been happening for me lately, with the process of digital creation. I’ve been in the midst of the heated push to get the Victoria Collection Walk-Up rocking (we decided it was faster for me to do CT, than for me to put together a CT Kit for Wilde), while at the same time being surrounded by the creative rush of Duncan, Daniel, and Taliesin putting the finishing touches on the January Gathering: Winter Wonder.  And while caught up in that whirling world, I’ve also been taking a free art journaling e-course with Allyson Bright over at Determined to Shine.  All of this has caused me to maybe start the creative process from a different angle than the “average” digi-scrapper: I’ve been starting with the paper, instead of with photos.

I talked yesterday about a wonderful quote from Rebecca McMeen, and how it has served to shape Iaconagraphy (and me), going forward, and at risk of repeating myself, I want to quote it again here, because I think it’s really important in view of what I’m talking about today, too:

““I look at scrapbooking as chore oriented.  I’ve got this photo and I need to make it more special by enhancing it with pretty things.  I look at art journaling as a representation of a person’s life and soul–a way to express who we really are as we walk this earthly realm.”

I’ve done CT on a few other sets here at Iaconagraphy, and with all of them, because it was for a walk-up for a product, I always started with the paper and the elements (with the kit), and then found the photos and whatever to go with the assets, instead of the other way around, but before I started doing CT for my own business, I watched a lot of other people in my life scrapbook (paper and glue scrapbooking), and pretty much decided it simply wasn’t for me. Why?  Why wasn’t it for me? I mean, given what I’m doing for a living now, that seems a little bit odd, don’t you think?  Put simply: I decided it wasn’t for me because it just seemed too stressful!

Michael, who designed Aix-En-Provence Essentials, was one of those people that I watched scrap in the past.  He would sit down with what seemed like a mountain of photographs, and then spend the next six hours trying to find paper and elements that matched. That isn’t an exaggeration.  I just couldn’t see the fun in that? It seemed, as Rebecca McMeen so aptly stated, like a chore; not like a fun thing to do.  Certainly, once he finally produced a page, those pages (and those albums) qualified as art, but the process of getting to that point seemed entirely “un-artsy” and “un-fun” to me. It was regimented; there were rules (or, at least, there seemed to be), and that totally isn’t my gig.

I love papercrafting, and I love hybrid crafting, but the whole “scrapbooking gig” just wasn’t me at all.  Yet, I could spend hours upon hours cruising the papercrafting/scrapbook aisles at Michael’s or AC Moore or JoAnn’s.  And I was guilty often of buying packs upon packs of paper that I never actually used, just to basically pet it (no kidding).  Because of that, my move into the design branch of this industry isn’t all that surprising, I guess, but even eight months into this roller coaster ride that is Iaconagraphy, I still don’t fully get the more regimented, rule-driven side of digi-scrap.

I’ve been told that including rendered elements in my artwork is the wrong thing to do; that it’s simply not accepted in the digi-scrap world, while at the same time having countless people ooh and aah (and vote to move me on to the next level of competition) over an original Cinderella coach that I created.

I’ve been shown, repeatedly, that a digi-scrap element set simply has to include certain things: cluster frames, flair, accent pieces, and journal blocks. I’ve also been shown, repeatedly, that certain things that are “go-tos” in the paper-world of scrapbooking are less accepted in the digi-world: tags and stickers being at the top of the list.  (Yet, when we’ve put kits that include those elements to market–such as Clockwork Entomology and Absinthe–they’ve routinely sold!)

But what if there was a digi-world where none of those rules applied? What if treasuring your memories could become art-making, instead of a chore?  For me, it all started with paper, so now when I create digitally, I still start there, and the more often I do, the more magical my creative process.

So this post is my invitation to YOU to do the same thing: start with the paper. Start with the elements and the word art, and the kit that you just had to have, not because it matched that photo of your grandma perfectly, but because it spoke to your spirit.  Encourage yourself to splurge: so, yeah, maybe you have absolutely no photos of horses in your stash, so what? Maybe you don’t have a trip to a science museum to digi-scrap; maybe you just need a reminder that small things matter.  Maybe you don’t have a lot of party photos that are just begging to be scrapped, but you just want to invite a little whimsy into your life!  Whatever is currently floating your boat–whatever is speaking to your spirit–go with that! And then copy/paste that base paper into a new image, and rock on!  Make art! Maybe a photo will find its way into the mix, and maybe it won’t: nobody’s making the rules here, but you!  And then see how you feel on the other side of that, and let me know! Comment below, or head on over to our Facebook Page and start a conversation!

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World Card Making Day: Thoreau Goes To Provence

I’ve been treating myself all day to crafting. I may have splurged a bit at The Digichick on a few CU resources for future paper and ephemera designs for y’all, and we did manage to crank out at least one digital layout (before discovering that we couldn’t post it to the gallery where we had hoped to post it).  Scrapbook and Cards Today have kept me inspired all day long, and I used the basic sketch from the first birthday card featured in this post as the layout concept for this card using Walden Woods Essentials and the Patterned Papers from Aix-En-Provence.

I began with a vertical Kraft A2 base card.  The first layer of paper is Paper 2 from Aix-En-Provence Patterned Papers (which is also a CU resource!), which I distressed slightly with my Tim Holtz Tonic Paper Distressor. The top layer of paper is Paper 4 from Walden Woods Essentials, which I also distressed slightly.  The doily is printed on vellum and sourced from Nouveau Riche Essentials, and printed at 4 x 4.  The little bird is also from Walden Wood, pulled from the original Sentiments graphic, and then printed at 3.5 on its longest side.  He is attached with pop dots/foam tape. Finally, I glued strips of jute and baker’s twine down the side of the card and applied a vellum Birthday sticker (which I glittered to make it more visible).

This card was not without its mishaps and happy accidents.  Once I got the vellum sticker attached at the bottom and slightly glittered (so that the green writing would show up better against the repeating fish background), I decided the doily was just too blank, so I got the bright idea of using black and iridescent glitter-paint (like Stickles) to draw some flourishes freehand.  Had I just gone with the iridescent, I probably would’ve been okay, but the black was horrid. It was way too stark against the softness of the rest of the card.  After several minutes of being a bit miffed with myself (and wracking my brain about how the heck to fix this disaster), I came up with the plan of keeping the flower motif from the initial card sketch, and spiffing it up with a little brad from Prima. Tragedy averted.

It’s been a fun and relaxing day (other than that slight mishap with my freehand curlicues!), if a bit rainy. But what better way to spend a rainy Saturday afternoon than papercrafting, right?  This card is the perfect wrap-up for my Digital Scrapbooking Day!